A week or so back, I messaged a friend, ranting nigh-incoherently about hair and jumpers. I’d noticed something off, and it triggered a few memories regarding previous episodes. I’d noticed that Twelve’s previously unkempt hair and ratty jumper were gone, and he was once again immaculate in waist-coat and finely-groomed hair. Why didn’t he know how the Confession Dial worked? Why was it important now, after going unmentioned since the first couple of episodes and for that matter, who was he talking to when he was playing guitar and talking about Beethoven and the Bootstrap Paradox? Why did he say “Longest month of my life” when Clara referenced him thinking she was dead? Something is off, and I suspected we were seeing events play out of order again. Which led me to one conclusion:Clara Oswald has been dead this entire season.
At least from the Doctor’s point of view. And after this week, I feel that I’m still right.
- Capaldi veers seamlessly between quiet anger and abject horror as he’s faced with his childhood nightmares and reminders of his failures.
- A monster that would be straight out of a classic Japanese horror film if it were shot differently.
- And some very real mature content, as his death scene is played out in gruesome detail.
The image of a badly burned and blistered Doctor dragging himself by his fingernails is not something I thought I’d see, let alone him killing himself just so he could live the cycle all over again. But he was clever. Left himself a clue so that he could make progress in the puzzle, which is probably not something his captors were suspecting, even if it took two billion years to do it.
Capaldi’s performance here has cemented his place in Doctor Who history, if it were not already so. Three of the four previous episodes have had truly shining moments in his performances, and now he’s surpassed even “Everybody Lives”. Steven Moffat borrows heavily from another property for this episode, taking the Doctor into his own Mind Palace as he did Sherlock Holmes at the moment when Mary Watson shot him and his body was shutting down. The difference here is that whenever the Doctor is in danger (and not just dying) he thinks quickly. Very, very quickly, as he retreats into a mental version of the TARDIS, and depends on the one thing that’s kept him going for a very long time: his companions asking him questions.
This is the perfect excuse to bring Clara back, perhaps for one last time, to give the Doctor one last stern order: Get off your arse and win. I wonder what strings Moffat had to pull to get the BBC to allow swearing on a family show, pre-watershed at that, but honestly I’ve been waiting for Clara to swear for some time now… she strikes me as the type to do so. (Repeatedly. With much imagination.)
But you have to read between the lines a lot in Doctor Who. The kids are watching, after all, and it wouldn’t do to have a companion with, say, a ton of emotional and abandonment issues to be a stripper. No, she’s just a kiss-o-gram.
Always read between the lines. The story’s much more fun that way.
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